Sweet Valley Confidential: Ten Years Later
Francine Pascal



rating: 3.5 out of 10 "books"

“Sweet Valley is back ... What terrible secret has torn Jessica and Elizabeth apart? Ten years after graduating from Sweet Valley High, the Wakefield twins have had a falling out of epic proportions. After Jessica commits a complete and utter betrayal, Elizabeth flees to New York to escape the pain and pursue her lifelong dream of becoming a journalist. Jessica remains behind in Sweet Valley, dealing with the fallout of her heart-wrenching choices and longing for forgiveness. But Elizabeth can't forget her twin's duplicity. Uncharacteristically, she decides the only way to heal her broken heart is to seek revenge. Always the 'good' twin, Elizabeth is about to turn the tables” – Amazon.com Review

Imagine my surprise when I found out Francine Pascal was writing a Sweet Valley book. It’s like it came out of nowhere, although I suppose I shouldn’t be too surprised with all the reboots of everything from television to film to books. Even the Babysitter’s Club author is apparently writing more BSC books. If anything, Pascal’s novel is long overdue. I feel out of touch with this series since it’s been so long since I’ve read a new Sweet Valley book. Much in the same way, I feel like Francine Pascal has gotten a bit out of touch when it comes to young people. While I don’t mean to slam Francine Pascal, especially since her books were my main lifeline during my early childhood, Sweet Valley Confidential just feels too late. I barely remember which character was which, let alone their personalities or actions from the early Sweet Valley books up through the college years. As many readers stated on the amazon.com website too, there were a ton of inconsistencies within the book and major disparity between characters then and now. It was as if Pascal herself forgot to refresh her memory by revisiting all her previous books prior to writing Confidential. The most laughable parts that I found however had to do with the more intimate moments in the book, more specifically one that happened towards the end of Sweet Valley Confidential. The way Francine Pascal described the situation read like a cheesy romance novel, convincing me even more of how far removed from her audience she must be. While Sweet Valley was never anything remotely intellectual, Sweet Valley Confidential seems to have really missed the mark this time. While it was fun to read a new Sweet Valley book and revisit the Wakefield twins for nostalgia’s sake, I think this book would have been better if it had never been written to begin with.

Matched
Ally Condie



rating: 7.5 out of 10 "books"

Dystopian fiction seems to be all the rage these days and while I feel like I need to switch gears over here and start reading (and reviewing) other types of fiction, I can’t seem to tear myself away. I’m one of those readers who will read things based on “buzz.” The more a magazine, journal, whathaveyou talks about a particular book of interest, the more I want to read it (see my upcoming review of the controversial “Battle Hymn of the Tiger Mother.”) So when I kept seeing Matched by Ally Condie pop up everywhere, I knew I had to take a peek.

In the perfect world of the Society, Cassia is one of the many perfect citizens; she follows the rules, doesn’t question anything or anyone, and like everyone else: believes she is happy. And why shouldn’t she be? The Society provides for everyone. There is no war, no hunger, no suffering or disease. Cassia knows exactly when she will die because Society plans it out for every citizen to be at 80 years old. Everything is so perfectly planned that the Society even figures out who a citizen’s perfect match is, based on the collection and analysis of tons of data. So when Cassia is matched with her best friend Xander, it’s a wonderful surprise for both parties. Most matches don’t even know each other, let alone live close enough to one another, so it comes as a very strange occurrence for the whole town.

The problem arises when Cassia goes to look over Xander’s bio data one day, even though she already knows everything about him. Along with Xander’s photo in her match material, a flash of someone else appears – someone Cassia also knows. This in turn sets off a chain of events that completely turns what Cassia thought she knew about life in the Society upside down. On top of questioning her match with Xander, Cassia now worries about the perfect planning set in motion by the Society. As she begins to discover some ugly truths about her “perfect” world, Cassia starts down a path she can never come back from.

This story and I got off to a slow start, but I can’t deny that it got pretty page turn-y at the end. I can definitely see how people have complained that this is yet another piece of Twilight-esque teen dribble, with a thoughtless, selfish female character torn between two gorgeous teenage boys. I can definitely agree that a lot of what Cassia does in the story is very stupid; obsessing over a guy simply because he accidentally appeared on her screen and is mysterious, and so on. But when you think about it, isn’t this much like what today’s teenage girls do anyways? Obsess over the tiniest of details about the opposite sex? So honestly, I can see why the author made this such a huge deal for Cassia. But I also read some pretty redeeming story points that made up for the cheesiness; the fact that each citizen carries 3 separate tablets for different situations, the idea of “artifacts” that the townspeople have from waaaay back when (like 2011) which most have no idea what these artifacts are or what they do, and the concept of the matching ceremonies themselves. I’m definitely the type of reader who doesn’t need some sort of big intellectual point at the end of my story. I’m not exactly the biggest fluff reader either. But hey, sometimes fluff is not a bad thing.

Oh, on another note readers -- I've also heard that they're thinking of turning "Matched" into a movie :)

XVI
Julia Karr



rating: 8.5 out of 10 "books"

“Some girls can’t wait to be sixteen, to be legal. Nina is not one of them. Even though she has no choice in the matter, she knows that so long as her life continues as normal, everything will be okay. Then, with one brutal strike, Nina’s normal is shattered; and she discovers that nothing that she once believed about her life is true. But there’s one boy who can help—and he just may hold the key to her past. But with the line between attraction and danger as thin as a whisper, one thing is for sure… for Nina, turning sixteen promises to be anything but sweet.” – Back cover, XVI

As the back cover of Julia Karr’s XVI states, Nina is not thrilled with the idea of turning sixteen. In this futuristic dystopian novel where the Governing Council and the Media controls everything and citizens are bombarded with noise from advertisements and the like 24/7, sixteen is a very important age for females. Sixteen for a girl indicates adulthood, and the legal age for girls to have intimate relations with men. Schools show videos that instruct girls on how to make men happy and “verts,” (advertisements) tell girls, “how popular they’ll be if they dress and act so boys will want to have sex with them” – page 277. However, as exciting as that sounds for girls like Nina’s friend, Sandy, who’s been studying up on XVI Ways learning about what guys like in a “sex-teen” (as sixteen year olds are referred to), Nina knows turning sixteen is more dangerous than liberating. Because at sixteen, girls are required to get a large XVI tattooed on their wrists, and most guys see that as fair game to do whatever with girls and in many cases, without their consent.

Nina and Sandy are considered lower tiered girls. In this version of the future, money is referred to as “credits,” and those with it are considered a tier 10 or higher. The government provides for everyone even those who have no money as long as they agree to government experiments. Nina and Sandy are at a tier 2, and for girls like them there are not many options. Nina can either hope to earn status as a Creative with her artwork, marry an upper tier guy, or enroll in the mandatory FeLS (Female Liaison) program that all lower tiered girls are required to sign up for. Sandy can’t wait to enroll in and hopefully be chosen for FeLS, and escape her lower status, but Nina has reservations as to what the program is actually about. Whereas Sandy’s mom encourages her daughter’s sixteen ways, Nina’s mom instructs her daughter on the dangers of life at sixteen. With Nina’s dad deceased, Ginnie is the only parent Nina has left.

Nina’s life is going ok until major events change everything. With the seemingly impossible prospect of her father being alive, and the threat of her mother’s boyfriend coming after her at every turn, Nina enrolls the help of her friends to discover the truth behind the Governing Council, the Media, and the FeLS program before it’s too late

I thought this was a really great case study if you will, as to what could happen if society really took media portrayals seriously. Karr writes in an interview at the end of the book about how “there is a huge disconnect between the vestiges of our country’s underlying Puritan mind-set regarding sex and the business of selling teen sexuality through media.” It’s already enough that society itself sends girls one message on how to look and act with regards to sexuality; and movies, television, and magazines send girls a completely different message.

I did feel the back cover of this book was somewhat detrimental to the point of XVI. I know that the author did not write it, but whoever included the part that says, “There’s one boy who can help,” kind of missed the point. I saw this book as trying to show Nina as a strong female character, who yeah is dealing with typical teenage hormones but, who doesn’t need a prince charming to save her. To include that line on the back cover kind of drops the book down from “independent woman” theme of the story back to the typical “weak damsel in distress in need of rescuing from a man,” portrayal of women.

The only other major problem that I had with this book was how Karr wrote about sixteen year old girls as if becoming sixteen was like contracting a disease that made girls only want to have sex with every guy in sight. I know that this was the message the girls in this book were getting from the Media, and that was just bleeding through onto the pages when the female characters were thinking or speaking, but it got annoying after awhile. With Sandy basically saying things like “you won’t be able to think about anything else besides sex once you turn sixteen,” I started getting really mad. Especially since this didn’t seem to be the case at all for any of the guys in the story. The author never really included any dialogue that showed how Nina’s guy friends felt about the girls becoming sex-teens, or how they felt about sex at all. It seemed like the guys were the level-headed characters of the story, especially the character of Sal. Nina and Sal would be making out and Nina would be freaking out with thoughts of “oh I’m no better than a sex-teen with my intimate thoughts and wanting to do more with Sal,” while Sal seemed to be all smooth talking and in control, with no resemblance of the typical horny sex-obsessed teenage boy most of us are familiar with.

I really enjoy stories that look at an extreme version of our future if current global practices continue; whether environmentally, socially, politically, etc. If you like dystopian books, or books that portray a very realistic future, I’d recommend (both guys and girls) checking out XVI. In a world where kids can’t wait to grow up, it’s refreshing to read a cautionary story about wanting too much too soon. Although the book mentions sex a lot, XVI is more about the dangers of teenage relations and attitudes towards it, as opposed to an endorsement. Nothing obscene happens, so parents of teenagers rest easy.

Tell Me a Secret
Holly Cupala



rating: 9 out of 10 "books"

“It’s tough, living in the shadow of a dead girl. No one mentions my sister. If they do, it’s mentioning her by omission, relief that I am nothing like her. I am the good sister. Thank God.” – Tell Me a Secret pg. 1

It’s been five years since Miranda Mathison’s bad girl sister, Xanda, died, but the mystery surrounding her death and the secret Xanda took to her grave still haunts Miranda. Now seventeen, the age Xanda was when she died, Miranda, or Rand, is dealing with some issues of her own. Her perfect life: an awesome boyfriend, perfect best friend, and promising future at art school after graduation, are all shaken up when two little pink lines on a pregnancy test threaten to destroy everything Rand has worked so hard for. To top it all off, the shaky relationship she’s had with her mother all her life, especially after the death of her “failure” of a sister, feels like it’s been permanently derailed after the news of her pregnancy leaks.

But the truth is, Rand has always wanted to be like Xanda. Maybe that’s why she surrounds herself with bad girl Delaney, and had isolated herself from her once best friend, Essence. So while all these bad things keep happening to her, Rand can’t help but obsess over the vagueness of Xanda’s death, and the secret truth that her parents might be keeping from her surrounding the way her sister died. The only problem is that it seems everyone has turned against Rand, her best friend and boyfriend included. With no one to talk to, not even her parents, Rand is completely on her own in terms of her pregnancy.

Talk about capturing the essence of high school! True, I’ve been out of high school for quite awhile now, but it felt like I was sucked right back into the drama of it all whilst reading this book. I for one, know how hard high school can be; how mean, manipulative, clique-y, and backstabbing (even your good friends!) can be. Cupala was able to capture all of the emotional angst and hardships that many teens face while pursuing secondary education, even more so, when you’re a soon-to-be teenage mother. I would never wish what happened to Rand in this story on anyone. And if you thought your mother was bad, wait until you get a load of Rand’s mom. In a somewhat related note, I also thought Holly Cupala did a really awesome job of representing (no offense my teenage friends!), the kind of ignorance young people have at that age, whereas, instead of going and finding out the facts for sure yourself, making a judgment call and abandoning your friend(s), boyfriend, or girlfriend based on what someone else told you. There was so many times when I wanted to yell at certain characters in the book because things were so obvious to me as an adult reader, and so easy to fix, but understandably confusing to a teen.

The only downside, that I was able to think of when it came to this story, was Xanda’s “secret.” Either the author was really unclear about what it actually was, or I just assumed one part of the story was the secret, but I was a little let down by Rand’s discovery as it related to Xanda. However, when all is said and done, I thought this was a really great book. It wasn’t just one of those “oh hey, another teenage pregnancy” kind of stories. I’ve read a lot of YA books in my time, and this was one of the few that really did YA right: no crazy/complicated love triangles, too mature for their age characters, or Gossip Girl-esque storylines. Holly Cupala definitely knows her stuff and I’m positive that if I had read this book in high school, I would have related to it even more than I just did a handful of years later. Go out and read this book!