Bumped
Megan McCafferty


rating: 5 out of 10 "books"

I loved Megan McCafferty’s Jessica Darling series so when I heard she was finally coming out with a new book I was thrilled. The only problem is that when you love a series so much, it’s always a little hard to get into anything completely different by an author. Bumped is exactly that. While the writing style and voice of the characters in Bumped is the same as that of the series I know and love, the storyline couldn’t be any more different. Harmony and Melody are twin sisters, separated at birth and completely unaware of each other until their sixteenth birthdays. Adopted by different parents, both girls grow up in completely different environments; Melody in a society where becoming a RePro (professional birther) is a smart move, and Harmony in a church settlement where girls are matched with their future husbands by the church council before they may even think about having intimate relations. In a world where a virus has caused men and women over the age of 18 to become infertile, it is up to teenage boys and girls to produce offspring for aspiring parents. While babies have long been sold off by amateurs (teen couples actually IN a relationship), the newest trend is to go pro and sign a contract with an infertile couple through an agent. This couple in turn has the right to find a partner for the teenage boy or girl to reproduce with, oftentimes to try to find matches that represent the infertile man or woman in appearance. This way, the offspring could actually pass as their own. When Harmony ditches the farm to unite with her long lost sister, Melody is hardly ecstatic. Things go even more south when a case of mistaken identity lands Melody’s gorgeous contracted RePro match in the company of Harmony. But as the story looms close to an end, what each sister may have thought they always wanted may not be so. While not exactly a twist ending, things do not turn out the way Bumped has you thinking it will at the start. Each character goes through some major revelations and as different as Melody and Harmony may seem (to the reader as well as each other), by the end of the book they do not seem so different (again to the reader as well as each other). The events in the story end up bringing the sisters closer than they ever could have imagined.

I have to admit that I have mixed feelings about this book. While I do love the writing (and the premise of the story is kind of cool), I feel like there are some holes in the plot. If people are unable to have children after a certain age, why don’t they just have them younger when they are still able to? It’s not like it hasn’t been done before. Back in early times sixteen/seventeen wasn’t too early for girls to have children. Even thirteen wasn’t too early. People were married as early as that age. So what’s to stop this futuristic society from simply reverting back to some of those early day practices? At least that way, the mother’s children would be her biological children. And I know that McCafferty was trying to be futuristic with her use of slang in the book, but I found it somewhat annoying. Half the time I didn’t understand what the slang was meant to imply, especially when it was then used in a different context. As much as I love Megan McCafferty, overall I was a bit disappointed with Bumped. Apparently there is supposed to be a sequel to this book. Maybe the next one will be a bit better.

The Handmaid’s Tale
By Margaret Atwood


rating: 10 out of 10 "books"

Honestly, I’m not really sure how to begin this review other than to start by saying that “The Handmaid’s Tale” blew my mind. It was so seemingly out there yet eerily possible at the same time that after each time I set the book down I couldn’t help but think about what I had just read. Not only was this book amazing along the lines of the whole “dystopian society” theme (think “The Giver” but way more messed up), but I had a hard time tearing myself away.

Margaret Atwood’s “The Handmaid’s Tale,” is the story of a woman by the name of Offred. The story starts off in what had once been an old gymnasium. We as the readers have no idea when or where in time the story is taking place, but by the descriptions it is easy to assume it is in the near future. We come to learn that this is exactly the case, but that things are very different. For one, the United States is no more. The former U.S. is being run by a type of religious military operating under the front of a “return to traditional values.” As Offred remembers back to the past early in the story, she can recall the dangers that existed for women. However, now women “walk along the same street in pairs and no man shouts obscenities at us, speaks to us, touches us. No one whistles.” Men must be of a certain age or rank to even touch a woman. Offred even teases one of the young men and instantly feels ashamed but then finds she is not at all. She says she enjoys her power. Men have no sexual outlets in this new society, except themselves. All the pornographic magazines, films, and substitutes have been abolished. Places that used to exist with names such as “Pornomarts,” “Feels on Wheels,” and “Bun-Dle Buggies” are no more.

It all sounds pretty great right? How awesome, as a woman, would it be to not have to deal with all that crap that many men do? The story almost sounds pro-feminist when I describe the story in this manner. However, this is only one facet of the story. The larger scope, or rather the trade-off, is much worse. Men rule society completely. Women have no rights. They cannot own property or work. They are not even allowed to read or write. In this futuristic story, the birthrate is shockingly low, and most of the female population is infertile. “Handmaids” have been employed, whose sole purpose is to breed for married couples. Offred, who is part of the first generation of handmaids, describes her and her lot as “two-legged wombs: sacred vessels, ambulatory chalices.” They are each designated to one “Commander,” or high ranking male, with whom they must have sex with to try to provide a child for the Wives, the infertile married women. All the other women despise the handmaids, believing them to be slutty, but mostly jealous of them because they themselves cannot conceive. Women are divided up in the society by function and men by power and age. Unwomen, or old women and any women against the new form of government are sent to work in the “Colonies,” where they starve and eventually die trying to clean up toxic waste dumps, nuclear plant accidents, and leakages from chemical and biological warfare stockpiles of the past. Homosexuals, or “Gender-Traitors,” are also sent to the “Colonies.” Handmaids may also be sent there if they cannot provide a child for the Wives and Commanders after three tries. They are cycled between couples, so they are not with one Commander the whole time. Once a handmaid provides a “keeper,” a baby not stillborn or containing deformities or defects, she is guaranteed to never be declared an “unwoman” and sent to the Colonies.

We learn early on that Offred is not even the narrator’s real name. It is the name given to her after she has become a handmaid. The name “Offred” itself is more of a slave name, meaning she is the possession “of Fred,” who we assume is the name of her current Commander. We find out that Offred once had a real life, with a husband and a daughter of her own. We only find out in the end how they were torn apart, and how Offred became a handmaid. We even find out that she had a choice in the matter. All throughout the story, Offred tries to keep her sanity and individuality, no matter how private she must keep it. She explains, “I try not to think too much. Like other things now, thought must be rationed. There’s a lot that doesn’t bear thinking about. Thinking can hurt your chances, and I intend to last.” She doesn’t know how long her current enslavement will last, let alone any outside information other than what she can get through whispered conversations with other handmaids at the market, but she is determined to someday reunite with her husband and daughter. She holds out for some sort of message from her husband, who may or may not still be alive, of which may never arrive but is the one thing that keeps her alive.


This type of fiction has been described as “speculative fiction,” meaning the events that occur in this story could actually happen. It takes specific attitudes held about women and sees them towards potential conclusions if they keep going down the path that they are following. Many points in this story are very chilling. One of the characters, the Wife named Serena Joy, was a huge promoter and speaker on the return of women to “traditional values” and when her religious and social beliefs become reality we see the outcome of all this. It’s kind of a “be careful what you wish for” sort of moment. Even the abolishment of pornography and treatment of women that occurs in this story has such a moment. Yes women do not have to deal with the sexually abusive treatment by men anymore to a certain degree, but is their current state in the book any better? And these moments are not only for the women. I believe there are definitely some “be careful what you wish for” type moments for men. In a conversation between the Commander and Offred the Commander says of the past, “The problem wasn’t only with the women. The main problem was with the men. There was nothing for them anymore. With all the “Pornycorrners” etc., the sex was too easy. Anyone could just buy it. There was nothing to look for, nothing to fight for. Men were complaining most about their inability to feel. Men were turning off on sex even, and on marriage.” The story even gave a frightening look at what could happen in the future if we don’t do something about the environment today, evidenced by the low birthrate due to damages made to the environment by nuclear power plants, etc.

This story really impacted me. One of the worst parts was the whole description of the beginning of the end of Offred’s real life; from the loss of her job to the loss of any money she had earned, all being transferred over to her husband. She described the scene of facing her husband as if something had suddenly changed. Her husband tries to console her saying, “at least we have each other,” but the narrator reflects on how “something had shifted, some balance. I felt shrunken, so that when he (her husband) put his arms around me, gathering me up, I was small as a doll. He doesn’t mind this,” she thinks. “He doesn’t mind it at all. Maybe he even likes it. We are not each other’s, anymore. Instead, I am his.” For some reason this was just a really powerful passage to me. I find myself not even being able to imagine something like this happening to me. The organization of this book is really great too. The story slips between the past and the present in a way that doesn’t give itself up all at once. This is what keeps the reader at it for hours if possible, until he or she must put down the book to finish or attend to some other task or what not. If I could have read the story in one sitting I would have. That’s how enthralling this book was.

There is so much that I wish I could include in this review, but I know it’s already super long. All I can say is that you must read this book. It is not preachy or outwardly “feminist” in any way (not that I think there is anything wrong with the latter). I whole-heartedly give “The Handmaid’s Tale” a rating of 10 out of 10 “books.” I have been really careful in my ratings to give what I believe are the best ratings and not inflate them in any way, and I honestly feel this book deserves not but the highest rating.